Check out this New York Times’ article published today that talks about how Pittsburgh had become a tech-hub for many tech firms.
Post by Program co-chair, Trish Oxford
Jennifer Foley and I are excited to announce that Rob Weisberg will be our newest Program Co-Chair for #MCN2017! This year, in addition to developing the conference theme, call for proposals, program structure, and creative events, the Program Committee will also ensure that MCN’s 50th anniversary gets recognized and celebrated in Pittsburgh during MCN2017 itself. Our Co-Chairs will explore how MCN has impacted our community over the past 50 years and how we will carry on this spirit of innovation into the future! Rob comes to the team with a wealth of ideas, energy, and enthusiasm. Please join me in welcoming him to the team! If you haven’t yet been in touch, but are interested in helping shape the future of the annual conference, we’d love to hear from you. All ideas are welcome. Please write to firstname.lastname@example.org
Rob is Senior Project Manager in the Publications and Editorial Department at The Metropolitan Museum of Art. His experience before The Met was in journalism and publishing production, so he appreciates the many paths people take before ending up in the museum field. Rob worked on hundreds of Met printed exhibition and collection catalogues until the past few years when he helped reboot the museum’s label program, as well as participated in several print-digital hybrid projects. He’s always tried to mediate and translate between different museum and workplace cultures and styles; he considers discrediting false dichotomies in the museum field — visitor-focused or collection-focused, print or digital, slow or fast, creative or organized, agile or deliberative — to be his calling. He blogs about museums and organizational culture at robertjweisberg.com. Rob has been a temporary New Yorker for 25 years and lives in New York City with his real-New-Yorker wife.
At your institution…
Do you design beautiful digital publications or geek out on microcontrollers and circuits? We want you.
Do you get your kicks from collaborating through interpretive media or crunching data to inform your museum’s digital strategy? We want you.
Do you work in a department 2 or 200? We want you.
The MCN2017 Program Committee is seeking 40 museum professionals, each bringing a different perspective from across the sector. This committee will play a significant role shaping this year’s conference Nov. 7-10 in Pittsburgh.
What does the Program Committee do?
Through online discussions, the Program Committee is a think tank that determines the most important themes and trends in the field, identifies new programming opportunities, and brainstorms possible speakers. Most significantly, members are the backbone of the conference proposal evaluation process.
In May, after the close of MCN’s Call for Proposals, individual proposals are assigned for evaluation to Program Committee members with relevant professional expertise on the topic. Evaluators are asked to provide feedback through a formalized process. Members are given 10-14 days to complete their evaluations. Next, the Program Co-Chairs assemble the conference schedule primarily based on the committee’s feedback.
This year is a special year for MCN! #MCN50
In Pittsburgh, MCN2017 will celebrate MCN’s 50th anniversary! Honoring the organization’s work to advance digital transformation in museums, our “Dream Team” Program Committee will represent as many as possible of the following expertise:
We are actively seeking a diversity of organizations including, but not limited to:
We are also looking to include representation of small, international, and academic institutions.
If you are interested in helping us rock Pittsburgh, send an email to email@example.com describing your interest. Please include a link to your LinkedIn profile or resume/CV attached.
Deadline: Tuesday, January 31st
-Trish Oxford & Jennifer Foley
I’d have been crazy to turn down a week in New Orleans. And, when that week promises days filled with talks of museums, tech, and a little karaoke…well, I packed my bags as early as June.
This November, I attended MCN 2016 as an MCN Scholar. I didn’t know what to expect. Admittedly, I was a little nervous, hanging with museum professionals, many of whom I admired on Twitter, in blogs, and other niches of the Internet.
MCN 2016 was all about the “human-centered museum.” This theme inspired an array of presentations, from web design to oral history, apps to activism. I attended as many as I could, and looking back I found myself returning to a number of my own central questions.
First, who is the human at the center of this museum? We threw around a lot of names during the week:
These categories are not mutually exclusive, nor are they restricted to folks outside the museum. We and our publics embody each, and this changes our expectations of and responsibilities to the museum. What I learned from the conference is that discerning between each is a matter of empathy. We need to ask ourselves how we see each other and ourselves in the museum and the community at large.
Second, what makes data meaningful? David Newburry’s ignite talk had me cheering for linked open data in the middle of the House of Blues. Brian Alpert, Sarah Banks, and Effie Kapsalis from the Smithsonian gave me a crash course in user metrics. I even got really excited metadata (though, I’ve always been a fan). With Andrea Wallace I embraced the public domain as the space in which we “let our imagination run wild.” Good data, at the very least, is clean and accessible, growing and stable, transparent and interpretive.
Finally, what does it mean to be a cultural worker in the digital age? I’m currently pursuing an MA in Public Humanities. I focus on the use of technology in museums and cultural institutions, with an emphasis on new media theory and public history. I’m also graduating in May. So, this conference was as much about creative exploration as it was professional development. I appreciated not only the sessions like speed networking but also the honest conversations about labor. Elissa Frankle talked about “radical trust.” While we talk about trusting publics, centering their perspectives and insight when (co)creating content, designing experiences, etc., institutions must also apply this principle within. How can we recognize and nurture the talent of our colleagues? How can create we culture of risk (without blame or fear of reproach) that ultimately makes for better, more exciting work?
I’m still coming down from my MCN 2016 high, finding myself craving another beignet and reminded of conference panels in the middle of class. Thank you to the MCN Scholarship Committee for this amazing experience.
This was my first MCN event, but it surely won’t be my last.
What a week! This was my first time at the MCN conference, and it wouldn’t have been possible without the generous opportunity provided by the MCN Scholarship program. It was an honour to receive the scholarship, and very humbling to be included amongst the other incredible scholars.
After having some time to digest the experience (and the deep-fried everything), what I’m left with is the sense that now I’m part of something bigger than I expected. It’s the feeling of spending a few days with new people, and now suddenly you’re part of the family. The community of MCN is what stood out to me from the start. It’s welcoming, warm, cozy, and inclusive. And I like it. These are my people. That’s my biggest take away from the week, as much as anything I learned in the sessions. My first MCN conference was an introduction to the family and an amazing opportunity to network and make connections. As the Canadian cousin no one had heard of before showing up to dinner, I felt welcomed and included. There was a seat for me, and everyone else, at the table.
The theme of “The Human Centered Museum” rang loudly throughout all of the conference sessions, and that is what inspires me going back to work. The traditional top-down model of operating a cultural organization is over. There’s no top; there’s no bottom. It’s us, standing with the visitor and the community, working together. Their stories are the future of museums. Talk to your visitors, build empathy, and have conversations. This is how we can be successful.
By the way, New Orleans is awesome. How many different marine invertebrates can you batter and deep fry? I’m not sure, but I think I ate most of them. As a musician and music lover, I was excited to see what the city had to offer and I wasn’t disappointed. The city is alive with music, and the best of it is found on the street. I was also lucky enough to catch a show at Preservation Hall, which was an experience I’ll never forget. Talk about the “open jaw of awe”!
Finally, the most eye-opening experience came on my last day in New Orleans. I visited the Lower 9th Ward Living Museum and was amazed at what they have accomplished. How often do we get to go to a museum where you are literally stepping into the story? The building, the neighbours, the people on the street, are all part of the story that the museum is telling. This brought the MCN conference experience full circle for me. There are no frills; there’s nothing fancy. It works because the roots of this museum are the people and their stories, and it created one of the most memorable museum experiences of my life.
What’s more human-centered than that?
(photo by Mairin Kerr)
Guest post by MCN 2016 Scholar, Emily Haight – Digital Editorial Assistant at the National Museum of Women in the Arts
As a scholarship recipient, presenter, and first-timer to MCN I didn’t know what to expect. What I experienced was four days of non-stop information overload. (It’s a good thing.) Here are a few of my highlights:
During the week, I ventured to Port of Call to indulge in a half-pound of “New Orleans’ Best Hamburger.” (Not pictured is the side of baked potato that came with the burger. I kid you not.) I stopped by Café du Monde for beignets (twice) and visited the World War II Museum, the Ogden Museum of Southern Art, and the Newcomb Art Museum’s exhibition of art by Australian Aboriginal women.
My first session was the half-day workshop “Beginner Hacking–Wearables” led by Chris Evans. Using a microcontroller, NeoPixels, ping pong balls, and a soldering iron, I constructed a light-up feature to clip on to my conference nametag. Diffused color-changing lights ensured that I would be obnoxiously visible in large crowds.
During several sessions I was too awestruck to tweet. I furiously scribbled notes about the Art Gallery of NSW’s artist profiles to delve into after the conference. I was blown away learning about the development of SFMOMA’s audio guide app with Detour, and—in a later session—captivated by their online content strategy (and confident adoption of fair use policies).
As a social media manager, I was eager to pick up a few ideas from presentations about social platforms. I let out gut-busting laughs during “Disappearing Content: Snapchat and Instagram Stories” and was captivated by five case studies illustrating the criteria for participatory campaigns, including #GettyInspired and #Spunday.
On the last day, I presented a case study with my colleague, “Can You Name #5WomenArtists? A Viral Campaign for Women’s History Month” and bolted afterward for lightning talks with my fellow scholars.
Two off-site events during the conference added to the experience. The Ignite reception at the House of Blues and the gathering at the Audubon Aquarium also allowed me to see more of the city—and spend some quality time with my scholar cohort!
Overall, I felt inspired and empowered by each of the presentations I attended. MCN provided a fantastic opportunity to meet people that I had previously only known virtually, share ideas with them, and plan for future collaborations.
Seph Rodney, a speaker at MCN2016 and a writer for hyperallergic, reviewed the New Orleans conference in a post called: Considering the Digital and Networked Future of Museums.
As someone who fancies herself a lurker on Twitter, I was a little intimidated heading into the MCN 2016. Would I be able to follow along? What exactly should I tweet? How fast would I need to type?
Luckily, someone’s made a script for that.
I tracked #MCN2016 using TAGS v6.1. Developed by Martin Hawksey, Innovation Community & Technology Officer at the Association for Learning and Technology (@mhawksey), TAGS is a Google Sheets template that pulls data from Twitter. It runs directly through Twitter’s API.
In this instance, I set TAGS to search #MCN2016 every hour, on the hour starting November 1st. To control the archive, I only collected data from users with over 150 followers.
At the end of the conference, TAGS logged 9000+ tweets from over 1000 users. (Good work guys!)
TAGS is not without its glitches. For one, it only allows users to reach as far back as 9 days from the date on which the sheet is activated. Also, the archive is a little messy, truncating tweets seemingly at random and distinguishing retweets with the classic “RT.” Most importantly, Hawksey himself recognizes that TAGS prioritizes “relevance” over “completeness.” Some researchers have found that his makes for a visualization that “over-represents the more central users and does not offer an accurate picture of peripheral activity.”
Still, armed with a predetermined window of activity and a hashtag to capture all the goings-on from the event of interest, TAGS proved the ideal tool for real-time, quick-and- dirty data analytics. As a first time MCN attendee this was invaluable. Sitting in my hotel room on the first night, I made and sifted through the first day’s network map forming a game plan the rest of the week. What were the conversations inspired by and happening around the conference? How would these develop over the course of the week? Who to follow? Who to talk to?
Now, looking at the web of nodes and edges in hindsight. There’s a material trace of #MCN2016’s major dialogue and debates, creations and critique to take us into #mcn50.
Last year we did a follow up blog post on the conference but instead of us trying to sum up the conference, we let you do that. We value our community here at MCN and love reading about your conference experiences. Over the last two weeks we’ve combed the #MCN2016 tag looking for posts but if we’ve missed any please do let us know!
Racheal Ropeik – #MCN2016: A Love Letter
MCN Twitter moments:
Over the last few days, we’ve seen a couple of tweets about the number of MCN sponsor emails landing in your inbox. This might be a little surprising to those new to the conference, so I thought I’d try to clear things up a bit.
Expanding strategic partnerships that include opportunities for sponsors is a core goal of MCN’s current Strategic Plan. Commercial partners are intrinsic to the fabric of our community: they bring tremendous innovation to the museum sector, and without their support, the annual conference just would not be possible. This year, we’re introducing new ways for sponsors to share their insights and actively participate in the conversation at the conference: “Partners in Conversation” is a new conference program series in which vendors partner with a museum for a conversation on a current museum technology topic; our “Market Trends” sponsor will partner with MCN to develop and co-present an annual survey that will provide market intelligence to our sector; and we will be hosting our first “Birds of a Feather SIGs Breakfast”, a one-hour event giving vendors an opportunity to have a conversation with members of Special Interest Groups around topics relevant to their respective practice area.
We realize the last thing many of us wish is a few more emails in our inbox; just know that these emails are legitimate communications from vendors that are excited to attend next week’s conference, share their presence with you, and look forward to making new connections with all of us.
MCN is grateful for the support of our 2016 sponsors. Please make sure to stop by to meet them in the Sponsor Hall during the conference. In the meantime, safe travels, and see y’all next week in New Orleans.